Nampally Road Essay Format



Nampally Road

Meena Alexander, Author Mercury House $15.95 (128p) ISBN 978-0-916515-82-9
In this brief novel by Indian-born poet and critic Alexander ( House of a Thousand Doors ), Mira returns from Britain to a post at the Central University of Hyderabad, India. As ``haunted by memory'' as Wordsworth, whose poems she teaches, Mira discovers herself uncomfortably between traditional values and the postcolonial world. Living on Nampally Road with ``Little Mother'' Durgabai, a physician to the poor, Mira absorbs the sights and sounds of the neighborhood--shoppers, hawkers, political demonstrations, police brutality--while trying to find her voice as a writer. As her relationship with Ramu, a political activist, deepens, Mira is drawn toward the victim of a gang rape and caught up in resistance to chief minister Limca Gowda's oppressive rule and his ``Ever Ready'' cabal of secret police. In quietly lyrical prose Alexander treats her protagonist's political awakening with engaging affection, and readers will enjoy the details of the Indian setting, from an apothecary's silver-plated Queen Victoria clock to the 300-pound servant Rani and her ``metaphysical urges,'' fed by a steady diet of movies at the Sagar Talkies cinema. (Jan.)
Reviewed on: 01/01/1991
Release date: 01/01/1991
Paperback - 107 pages - 978-0-916515-90-4

Born in Allahabad, India, poet Meena Alexander was raised in south India and Sudan. She earned a BA at Khartoum University and a PhD at Nottingham University. Described as "undoubtedly one of the finest poets of contemporary times," by The Statesman (India), she is the author of numerous collections of poetry, including Birthplace with Buried Stones (2013), PEN Open Book Award–winner Illiterate Heart (2002), and the forthcoming Atmospheric Embroidery (2018). In her poetry, which has been translated into several languages, Alexander explores migration, trauma, and reconciliation. Discussing how her fluency in multiple languages informs her poetry, Alexander told Ruth Maxey of the Kenyon Review, “I have always grown up in a world where there were things one did not understand, because there were languages that were not completely accessible … I think this is a very good hedge against a certain kind of rational understanding, the presumption of linguistic clarity or transparency, post-Enlightenment, that sense that everything can be known and a light can be shone into all parts of one’s thought.”
Alexander’s prose includes the memoir Fault Lines (1993, expanded in 2003), the novels Manhattan Music (1997) and Nampally Road (1991), the essay collections Poetics of Dislocation (2009) and The Shock of Arrival: Reflections on Postcolonial Experience (1996), as well as the critical studies Women in Romanticism: Mary Wollstonecraft, Dorothy Wordsworth and Mary Shelley (1989) and The Poetic Self: Towards a Phenomenology of Romanticism (1979). She is the editor of Indian Love Poems (2005) and the forthcoming Name Me a Word: Indian Writers Reflect on Writing (2018).
Her honors include grants and fellowships from the John Simon Guggenheim Foundation, National Endowment for the Humanities, Fulbright Foundation, Rockefeller Foundation, National Council for Research on Women, Arts Council of England, the Imbongi Yesizwe International Poetry Award, and New York Foundation for the Arts, as well as the South Asian Literary Association’s Distinguished Achievement Award in Literature. Alexander has taught at the University of Hyderabad, Columbia University, and Al Quds University, and was a National Fellow at the Indian Institute for Advanced Study, Shimla. She lives in New York City and is Distinguished Professor of English at the Graduate Center/Hunter College, CUNY.

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